INSIGHT
Hot under pressure: How SVT broadcast a live show from one of the world’s biggest saunas
30th January 2025
SVT Project Manager, Simon Staffans, explains the challenges and development of a live programme broadcast for minority audiences in Sweden from a sauna, including the testing of an AI translation programme.

By Simon Staffans, Project Manager, SVT
The challenge
Last year at Swedish Television (SVT) we were tasked with a specific request: to create a one-hour programme that would act as an outreach engine, offering a natural, logical and attractive way for audiences to interact with the content and be exposed to another series, already in production. The programme series – produced for SVT Minorities, the department producing programs in the official minority languages of Sweden – was called Bastudrömmar, (Sauna Dreams) and followed a number of ambitious sauna builds all around Sweden. The series did not, however, feature any ways to interact with audiences in a deeper way, which this live show ultimately would do.”
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Our playing field was wide open – as long as we had an actionable and logical idea we’d most likely get to produce it. Reaching out to a number of groups on social media proved very fruitful. Sauna – although originally a Finnish past time – is extremely popular all over the world and nowhere more than in Sweden. Communities are abundant and very active.
The opportunity
In early summer we decided to tag on to a community event, to be held in November. The event would see members of the 36,000 strong Facebook group “Bastufolket” (i.e. “People of the Sauna”) all go in their saunas at 4pm on November 9th. This was naturally a golden opportunity for us, especially seeing as the “Bastudrömmar” series would premiere the previous week.
Scouting the breadth and length of Sweden turned up a number of possible locations. In the end we settled on one of the largest saunas in Sweden, a part of the Cape East spa complex in Haparanda in the north. The location had been used as filming location for the Swedish and Finnish “Survivor” series during the Covid lockdown and they were very accommodating and understanding of our needs.
The experiment
As pre-production advanced over the course of the autumn, we were also handed the opportunity to be a part of a trial of a new, innovative solution. As the live broadcast was produced for SVT minorities, a large part of the programme would be in Finnish, one of the official minority languages of Sweden. We obviously wanted to still make the content as available as possible for the language majority and had been looking at different possibilities to live-translate.
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We were then looped into a series of trials of exactly that – an AI-powered translation and subtitling service, which only had been trialled once previously (not without some glitches). We decided we would implement it, with some safeguarding in place in case things went off the rails at some point.
“It pays off to have a continuous organic and non-selling communication going on with these communities – these are channels that are then ready to be utilised for future communications.”
The sauna
We arrived in Haparanda on the 8th of November and started rigging in the sauna. Doing a live show from a sauna brings its own challenges, we quickly noticed. The temperature was – of course – set to relatively low. The location had kindly enough built lids on the jacuzzis and cold plunges, so no camera operator or participant would have an unfortunate accident. The one mishap was when a cold shower suddenly activated, drenching part of the audio equipment. Note to self, always bring an experienced technical producer along on speculative projects!
The sauna itself was an enormous complex, stretching two stories up and with a max capacity of 150 people, bringing its own challenges when trying to build a studio that reflected the intimate and cozy atmosphere of most traditional saunas. Thanks to skilled lightning efforts and precise camera placements we arrived a solution everyone was comfortable with.

The live show
We had, of course, done some marketing for our show, especially in social media groups centred around sauna bathing. As we neared the start of the show, we opened up the SVT Duo app to allow the audience to send in their own sauna images and chat with the people in the broadcast. We quickly started receiving material, wonderful images of people’s own saunas as they were preparing to join the nation-wide event.
The show Hela Sverige Bastar (All of Sweden go sauna bathing) started as planned at 4pm and the images continued steadily arriving, with us publishing them with small intervals throughout the show. We featured one show host and two co-hosts (the hosts of the “Bastudrömmar” series mentioned above). We had guests in and had video calls to three members of the audience, connecting to them either in their saunas as they were bathing or as they were outside, getting prepared to go bathing. We had also prepared some pre-recorded inserts, such as talks with researchers about sauna as a brand and visiting a Sauna Society in Stockholm.
The live translation and subtitling worked well, until it didn’t. The solution could not keep up a full 100 percent as the languages people spoke in the broadcast switched between different languages depending on the situation; some were more comfortable speaking Swedish, some spoke an archaic version of Finnish – a separate minority language in its own right called Meänkieli. Luckily, we had a person devoted to switching on and off the audience-facing part of the solution, so when it sometimes went off the rails we quickly removed it from the stream and waited until it had stabilised again before re-introducing the AI-subtitles.
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The result
While the live broadcast didn’t reach any amazing amounts of audience numbers, everyone we talked to from the core audiences were very pleased with the project and the increased exposure sauna bathing received.
As the aim of the live show was to boost the series “Bastudrömmar” we eagerly tracked the audience numbers for the show of the following week and were very excited to see a remarkable uptick of viewers. Admittedly this could have been due to other factors as well, unknown to us, but I believe we had at least a small impact on this increase.
The conclusions
- It pays off to use content to enhance the pull of other pieces of content, especially when the content is so intimately connected to a thriving community of possible viewers.
- It pays off to have a continuous organic and non-selling communication going on with these communities – these are channels that are then ready to be utilised for future communications.
- It pays off to safeguard for all possible calamities, whether that’s 400 litres of water drenching your audio equipment or an AI-powered translation service displaying some hiccups.
- It pays off to make the extra effort and take the extra steps, to become a natural part of a community of your core audience.
About the author

Simon Staffans is an award-winning creator and producer from Finland. Over a distinguished career he has created everything from TV shows to corporate storytelling campaigns, from radio shows and social media strategies to online virtual experiences and AI-powered productions, seen and experienced by millions globally. His knowledge of outreach, impact planning, multiplatform storytelling and transmedia development has taken him around the world for speaking engagements, workshop facilitation and international consultancy. His insightful articles have been published in numerous journals and academic papers and he blogs at Evolving Media. He holds a Bachelor’s degree in Political Sciences, looking into how storytelling can affect people’s willingness to participate in surveys.
Simon is the CEO of ReThink – New Media Solutions, a production and innovation company in Finland. For the past few years he’s been heavily involved in productions at Swedish broadcaster SVT, as project manager and producer. Previously he worked for MediaCity Finland as a media strategist, content developer and producer and before that at YLE (Finnish Broadcasting Corporation) as a producer, editor and show host. Previous employments have seen him work in publishing, in minority language research and more.
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